Primus da quaranta anni il negozio di prima infanzia per genitori esigenti che cercano solo il meglio per il loro bambino. A partire da mercoled 9 maggio 2012 disponibile on line e in tutti i negozi il dvd Il giorno in pi di Massimo Venier con Fabio Volo. Il Volo un gruppo musicale italiano costituito da due tenori e un baritono Piero Barone Naro, 24 giugno 1993, Ignazio Boschetto Bologna, 4 ottobre 1994 e. Grande amore un singolo del gruppo musicale italiano Il Volo, il primo estratto dal secondo EP Sanremo grande amore e pubblicato il 12 febbraio 2015. Find out Il Volo music Check out the whole album collection and all the tracklists of the topselling songs by Gianluca, Ignazio and Piero since 2010. ARREDO URBANO URBAN FURNITURE. Kos. design arch. Margarita Kroucharska Il dissuasore Kos e un elemento di arredo urbano innovativo e di grande impatto visivo. All About Il Volo Piero Barone, Gianluca Ginoble, Ignazio Boschetto all about Il Volo Il in English, Italian and Portuguese tutto su Il Volo in inglese. Jaargang 48 x20AC Zomer 2011. Driemaandelijks tijdschrift Afdeling Zweefvliegen Koninklijke Nederlandse Vereniging voor Luchtvaart. KlikIl Volo, the Teenage Italian Singers, Go on TourIn the beginning all of us thought that because of their kind of music, the audience would be from 3. Tony Renis, the producer who discovered Il Volo, in a telephone interview from his home in Rome. But now we realize that they can conquer the kids. The younger generation all over the world, theyre used to rap. They never had the chance to listen to this kind of music. But now Il Volo is spreading a new kind of feeling. They are conquering every age. The group caught Mr. Reniss eye in the spring of 2. Ti Lascio una Canzone, an Italian version of American Idol. In a more is more epiphany a shrewd producer on the show suggested they combine forces, and their full throated renditions of modern classics were hits. These kids were singing O Sole Mio, and I heard such amazing, beautiful voices that I didnt believe it, Mr. Renis said. I thought it was fake. They were singing with such mature voices, like men of 5. Mr. Renis played the clip for Mr. Iovine and Mr. Fair, who signed the group to Geffen Records. Its debut album, Il Volo, a mlange of songs in Italian, English and Spanish calibrated for the widest possible appeal, was assembled over the next year and released in Italy in November. The labels connections with American Idol landed the singers a coveted spot on that show in May. Last month they had a cameo on the final episode of Entourage, in which their song Un Amore Cos Grande, blasting through a Los Angeles talent agency, persuaded Ari Gold to quit his job and escape to Italy. Aris teenage daughter sums up the group as well as anyone Theyre, like, opera singers, and theyre amazing. Photo. Piero Barone. Credit. Chad Batka for The New York Times The Today stop was only the latest of the singers talk show appearances. They were on The Tonight Show, Good Morning America, The Ellen De. Generes Show and CBSs Early Show in May, when their album was released in the United States, pegged to the Idol appearance. Mr. Leber said they were discussing other possibilities with MTV and Nickelodeon, while a PBS special scheduled for March will continue to cultivate an older audience. The album made its debut on the Billboard 1. No. 1. 0, with sales that were respectable but hardly earth shattering. The Italian and American management teams butted heads about where, when and how to spend the boys time. Should they stay in America a full year and play smallish clubs Make one off appearances all over the world Play theaters seating 1,0. No one had a real game plan, said Mr. Leber, who persuaded the families to bring him and his son, Jordan, on to help manage the group as it rolled out. They need to tour, tour, tour, tour. The kids and the parents were nervous about going on the road. But the most important thing is not to give up on this CD. Bite the bullet and go on the road. So on the road they were. Each of the boys was accompanied by one parent, a substantial sacrifice, since all three left their jobs to join their sons, and none are wealthy Pieros father is an auto body mechanic, Gianlucas a truck driver, and Ignazios mother owns a pizzeria that her 2. None of the three speak English. Piero hummed the Brindisi from Verdis Traviata as the groups van sped up the Franklin D. Roosevelt Drive toward the Dolce Gabbana boutique on Madison Avenue to shop for a tour wardrobe. Il Volo shares a publicist with Madonna, whose connection to the fashion label runs deep. On his i. Pad he scrolled through photos of places the group had already been Singapore, New Zealand, Sydney, Miami, jumping on the red carpet at the Venice Film Festival. When they arrived at the store, Barbara Vitali, one of the singers Italian managers and a big sister figure to the boys, told the sales associate, We have to balance the repertory they are performing with the teenagers that they are. A series of slim blazers failed to fit Ignazio, who has lost more than 3. The outgoing comedian to Gianlucas quiet heartthrob and Pieros earnest leader, Ignazio sang All Nylon to the tune of All Night Long. Gianluca emerged from the dressing room in tight black velvet pants and a shiny black blazer. Piero ended up with boots spattered Pollock style. Photo. The singers greet fans. Credit. Chad Batka for The New York Times Theyre very, very different from one another, Mr. Fair said. Gianlucas like a young Tony Curtis or a Mario Lanza, almost a Presley character, handsome and dark and Italian with fabulous hair. And Ignazio, hes the big guy, a crowd pleaser and a people person, adorable and funny. Piero is more studious, very serious. Gwen Stefani The Sweet Escape Itunes Torrent. Three hours and well into five figures worth of clothing later, the group headed to the Borgata Hotel Casino Spa in Atlantic City, site of the tours first performance and the trios first full concert ever. The singers had allotted two days for preparation. The following mornings rehearsal began well. The boys sounded fresh as they warmed up the echo of one of Ignazios high notes stayed in the ice cold air of the theater for five full seconds. But Gianluca missed an entrance he had, as usual, been on his cellphone with his girlfriend and things quickly dissolved into backstage shouting. The next day was the opening show, and the boys had still not run a single song all the way through. Mr. Leber arrived, doling out hugs. This is not music, he said. This is a happening. This is an event. And it was. It got off to a rough start. The lighting careened from darkness to glare. The sound mix, including the vocal track augmenting some of the groups harmonies, was murky the video projections a mixture of slow motion Italian film clips and animations were distracting. The boys seemed unsure of exactly where to stand and how to move. Then they opened their mouths. The first song was Il Mondo, a sweeping heart tugger. Like many of the numbers in Il Volos playbook, it started quietly, with a dusky verse from Gianluca. It built and built, until Ignazio, oozing delight at being onstage, let loose a startlingly full and mature high note. Photo. Il Volo in Entourage. Credit. Claudette BariusHBO A girl literally screamed with delight. Gianluca glanced at Piero with relief in his eyes. The audience gave standing ovation after standing ovation despite the awkward atmospherics and stilted banter. A chaotic morning took the boys, but not their luggage, to their second stop, Toronto. In contrast to the Borgata show which, like much of the tour, was organized by the American concert promotion monolith Live Nation the Toronto appearance was the work of a local promoter, Mimmo Pellegrino. It was at Roy Thomson Hall, where the Toronto Symphony Orchestra plays and which is about three times the size of the Borgata theater. The Borgata show had, as Mr. Leber had predicted, the feel of an event sold out, electric. In Toronto about a quarter of the seats remained empty. Some odd scenic elements had been added, like three enormous white masks that were revealed at the end to be swivel chairs. The audience response was warm, but it was hard for even the loudest of the recorded string arrangements to fill the big space. There were faint warning signs about the boys aggressive vocal style, which depends on belting brassy high notes. Ignazio, so free and easy at the Borgata show, sounded rougher and more tired in Toronto, and he avoided some high notes entirely.